Adrian Stokes: An Architectonic Eye
Stephen Kite
Aristophanes in Performance 421 BC-AD 2007: Peace, Birds, and Frogs
Edited by Edith Hall and Amanda Wrigley
The Art of Ana Clavel: Ghosts, Urinals, Dolls, Shadows and Outlaw Desires
Jane Elizabeth Lavery
2014
Britain and Italy from Romanticism to Modernism: A Festschrift for Peter Brand
Edited by Martin McLaughlin
Crossing Fields in Modern Spanish Culture
Edited by Federico Bonaddio and Xon de Ros
Culture, Censorship and the State in Twentieth-Century Italy
Edited by Guido Bonsaver and Robert Gordon
Experiment and Metaphysics: Towards a Resolution of the Cosmological Antinomies
Edgar Wind
From Art Nouveau to Surrealism: Belgian Modernity in the Making
Edited by Nathalie Aubert, Pierre-Philippe Fraiture and Patrick McGuinness
Image and Word: Reflections of Art and Literature
Edited by Antonella Braida and Giuliana Pieri
Image, Eye and Art in Calvino: Writing Visibility
Edited by Birgitte Grundtvig, Martin McLaughlin and Lene Waage Petersen
John Ruskin’s Continental Tour 1835: The Written Records and Drawings
Edited by Keith Hanley and Caroline S. Hull
2014
John Ruskin’s Correspondence with Joan Severn: Sense and Nonsense Letters
Edited by Rachel Dickinson
Medea in Performance 1500-2000
Edited by Edith Hall, Fiona Macintosh and Oliver Taplin
Pierre Klossowski: The Persistence of a Name
Ian James
Portuguese Modernisms: Multiple Perspectives on Literature and the Visual Arts
Edited by Steffen Dix and Jerónimo Pizarro
Proust Writing Photography: Fixing the Fugitive in À la recherche du temps perdu
Áine Larkin
Regarding Lost Time: Photography, Identity, and Affect in Proust, Benjamin, and Barthes
Katja Haustein
Théophile Gautier, Orator to the Artists: Art Journalism of the Second Republic
James Kearns
Transformative Change in Western Thought: A History of Metamorphosis from Homer to Hollywood
Edited by Ingo Gildenhard and Andrew Zissos
Women in Italian Renaissance Culture and Society
Edited by Letizia Panizza
Goethe’s Visual World
Pamela Currie
Germanic Literatures 3
June 2013
Caravaggio in Film and Literature: Popular Culture’s Appropriation of a Baroque Genius
Laura Rorato
Italian Perspectives 30
2014
Balzac and the Model of Painting: Artist Stories in La Comédie humaine
Diana Knight
Research Monographs in French Studies 24
History Painting and Narrative: Delacroix’s ‘Moments’
Peter Brooks
Special Lecture Series 2
Marguerite Yourcenar: Reading the Visual
Nigel Saint
Studies In Comparative Literature 5
Imagining Jewish Art: Encounters with the Masters in Chagall, Guston, and Kitaj
Aaron Rosen
Studies In Comparative Literature 16
Aestheticism and the Philosophy of Death: Walter Pater and Post-Hegelianism
Giles Whiteley
Studies In Comparative Literature 20
Rethinking the Concept of the Grotesque: Crashaw, Baudelaire, Magritte
Shun-Liang Chao
Studies In Comparative Literature 22
Prometheus in the Nineteenth Century: From Myth to Symbol
Caroline Corbeau-Parsons
Studies In Comparative Literature 25
June 2013
Architecture, Travellers and Writers: Constructing Histories of Perception 1640-1950
Anne Hultzsch
Studies In Comparative Literature 26
2014
The Shtetl: Image and Reality — Papers of the Second Mendel Friedman International Conference on Yiddish
Edited by Gennady Estraikh and Mikhail Krutikov
Studies In Yiddish 2

