| | | |  Moving Image publishes cutting-edge work on any aspect of film or screen media from Europe and Latin America. Studies of European-language cinemas from other continents, and diasporic and intercultural cinemas (with some relation to Europe or its languages), are also encompassed. The series seeks to reflect a diversity of theoretical, historical, and interdisciplinary approaches to the moving image, and includes projects comparing screen media with other art forms.
Editorial Committee: - Professor Emma Wilson, Corpus Christi College, Cambridge (General Editor)
- Professor Robert Gordon, Gonville and Caius College, Cambridge
- Professor Annette Kuhn, Queen Mary, University of London
- Professor Jo Labanyi, New York University
Television
Robert Bresson (1901-99), French director  | Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis
Laura McMahon
Moving Image 2 - ‘Makes a persuasive case for the links between these directors... Many of these readings are very sensitive, and the breadth and precision of McMahon’s knowledge of continental philosophy is certainly impressive.’ — Douglas Morrey, Modern and Contemporary France 20.4 (September 2012), 517-18
- ‘Cinema and Contact contributes productively to a growing field of film-philosophy exploring the intersections between Nancean philosophy and cinematic aesthetics. McMahon’s work should be of great interest to film scholars looking to introduce themselves to the philosophy of Nancy and the multiplicity of ways that it touches upon and diverges from the embodied and tactile aesthetics of French cinema’ — Kathleen Scott, Frames Cinema Journal Online
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Marguerite Duras (1914-96), French novelist  | Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis
Laura McMahon
Moving Image 2 - ‘Makes a persuasive case for the links between these directors... Many of these readings are very sensitive, and the breadth and precision of McMahon’s knowledge of continental philosophy is certainly impressive.’ — Douglas Morrey, Modern and Contemporary France 20.4 (September 2012), 517-18
- ‘Cinema and Contact contributes productively to a growing field of film-philosophy exploring the intersections between Nancean philosophy and cinematic aesthetics. McMahon’s work should be of great interest to film scholars looking to introduce themselves to the philosophy of Nancy and the multiplicity of ways that it touches upon and diverges from the embodied and tactile aesthetics of French cinema’ — Kathleen Scott, Frames Cinema Journal Online
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Jean-Luc Nancy (1940-), French philosopher  | Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis
Laura McMahon
Moving Image 2 - ‘Makes a persuasive case for the links between these directors... Many of these readings are very sensitive, and the breadth and precision of McMahon’s knowledge of continental philosophy is certainly impressive.’ — Douglas Morrey, Modern and Contemporary France 20.4 (September 2012), 517-18
- ‘Cinema and Contact contributes productively to a growing field of film-philosophy exploring the intersections between Nancean philosophy and cinematic aesthetics. McMahon’s work should be of great interest to film scholars looking to introduce themselves to the philosophy of Nancy and the multiplicity of ways that it touches upon and diverges from the embodied and tactile aesthetics of French cinema’ — Kathleen Scott, Frames Cinema Journal Online
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Claire Denis (1948-), French director  | Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis
Laura McMahon
Moving Image 2 - ‘Makes a persuasive case for the links between these directors... Many of these readings are very sensitive, and the breadth and precision of McMahon’s knowledge of continental philosophy is certainly impressive.’ — Douglas Morrey, Modern and Contemporary France 20.4 (September 2012), 517-18
- ‘Cinema and Contact contributes productively to a growing field of film-philosophy exploring the intersections between Nancean philosophy and cinematic aesthetics. McMahon’s work should be of great interest to film scholars looking to introduce themselves to the philosophy of Nancy and the multiplicity of ways that it touches upon and diverges from the embodied and tactile aesthetics of French cinema’ — Kathleen Scott, Frames Cinema Journal Online
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Pedro Almodóvar (1949-), Spanish director
Antonio Muñoz Molina (1956-), Spanish novelist | |
