For the People, by the People? Eugène Sue’s ‘Les Mystères de Paris’
A Hypothesis in the Sociology of Literature

Christopher Prendergast

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Eugène Sue
(1804-57)
French novelist

Research Monographs in French Studies 16

Legenda: Oxford, 2003
£35.00 ($69.00 US)  Paperback  154pp
ISBN: 1-900755-89-0


Eugène Sue (1804-57), like his contemporary Alexandre Dumas père, was one of the most successful writers of his time. Les Mystères de Paris, the novel for which he is most remembered, became a publishing sensation. In its serial form, it took the public by storm — readers fought for copies of the next instalment — and in book form its print-run reached an unprecedented 60,000. Christopher Prendergast’s study engages with the problematic of emerging forms of popular literature on the basis of a specific hypothesis: that Les Mystères de Paris, written and published in serial form, was, through the pressure of Sue’s reader-correspondents (many of them barely literate), a collective production, ‘written by the people for the people’. Prendergast examines the phenomenon of popular literature and reader response in the nineteenth century to illuminate larger issues in the sociology of literature.

Christopher Prendergast is Emeritus Professor of Modern French Literature at the University of Cambridge, Fellow of King’s College and a Fellow of the British Academy. He has published on nineteenth-century literature, art history and cultural theory.

Reviews:

  • ‘What is particularly fascinating in Prendergast’s work is his detailed analysis of the voluminous correspondence received by Sue as his novel progressed... The substantial Bibliography is itself illustrative of the various analyses that have been made over the years, among which For the People By the People? now earns a major place.’ — John Dunmore, New Zealand Journal of French Studies 26.2, 2005, 60-61
  • ‘The study is about memories and impressions of the later years’ holocaust... The striking photograph shows us an empty world with a bleak railway line and its sidetracks, making their way into the fearful forested world that was Auschwitz, practically a symbol of the Final Solution. And with this in mind, Kathryn Jones’s study is a success.’ — John Dunmore, New Zealand Journal of French Studies 29.2, 2008, 65-66
  • ‘This is a brilliant and lucid book, richly documented and subtle, and as engaging as it is authoritative.’ — David H. Walker, French Studies 58.4, 2004, 561


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