Victor Hugo, Jean-Paul Sartre, and the Liability of Liberty

Bradley Stephens


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Victor Hugo
(1802-85)
French writer
 3 other titles

Jean-Paul Sartre
(1905-80)
French philosopher

Legenda: Oxford, 2011
£45.00 ($89.50 US)  Hardback  188pp
ISBN: 978-1-907747-01-4


The arch-Romantic Victor Hugo (1802-85) and the Existentialist philosopher Jean-Paul Sartre (1905-80) are widely perceived to have little in common beyond their canonical status. However, responding to Sartre’s often overlooked fascination with Hugo, this book cuts through generic divisions to argue that significant parallels between the two writers have been neglected. Bradley Stephens reveals how both Hugo and Sartre engage with human being in distinctly non-ontological terms, thereby anticipating postmodernist approaches to human experience. From different origins but towards similar realizations, they expose the indeterminate human condition as at once release and restriction. These writers insist that liberty is not simply a political ideal, but an existential condition which engages human endeavour as a dynamic rather than definitive mode of being. The Liability of Liberty affirms the ongoing relevance of the two most iconic French writers of the modern period to contemporary discourse on what it means to be free.

Bradley Stephens is Lecturer in French at the University of Bristol.

Reviews:

  • ‘Liberty may be a liability, but in Hugo and in Sartre it has two strong, subtle, and surprisingly complementary exponents. For the detail of its analyses and for the breadth of its final perspectives, this volume is, therefore, a welcome addition to the Legenda imprint.’ — Owen Heathcote, French Studies 66.3, July 2012, 422-23
  • ‘Bradley Stephens explores unexpected, intriguing connections between Victor Hugo’s and Jean-Paul Sartre’s visions of liberty in this clearly written study... Brings a unique analysis of Hugo’s and Sartre’s work, offering insights that may challenge readers to reconsider their previous understandings.’ — Marva A. Barnett, Modern & Contemporary France 20.2, 2012, 281-82


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